The Flower of Life is the modern name given to a geometrical figure composed of multiple evenly-spaced, overlapping circles, that are arranged so that they form a flower-like pattern with a sixfold symmetry like a hexagon. The center of each circle is on the circumference of six surrounding circles of the same diameter.
It is considered by some to be a symbol of sacred geometry, said to contain ancient, religious value depicting the fundamental forms of space and time. In this sense, it is a visual expression of the connections life weaves through all sentient beings, believed to contain a type of Akashic Record of basic information of all living things.
There are many spiritual beliefs associated with the Flower of Life; for example, depictions of the five Platonic Solids are found within the symbol of Metatron's Cube, which may be derived from the Flower of Life pattern. These platonic solids are geometrical forms which are said to act as a template from which all life springs.
The "Seed of Life" is formed from seven circles being placed with sixfold symmetry, forming a pattern of circles and lenses, which acts as a basic component of the Flower of Life's design.
According to some researchers, the Seed of Life is a symbol of depicting the seven days of creation in which God created life; Genesis 2:2-3, Exodus 23:12, 31:16-17, Isaiah 56:6-8. The first day is believed to be the creation of the Vesica Piscis, then the creation of the Tripod of Life on the second day, followed by one sphere added for each subsequent day until all seven spheres construct the Seed of Life on the sixth day of Creation. The seventh day is the day of rest, known as the "Sabbath" or "Shabbat."
In the 13th century, a Cabalist group from France succeeded, through geometric interpretation, in dividing the entire Hebrew alphabet into an order using the Seed of Life. The resulting alphabet was remarkably similar to that of the Religious sage Rashi who wrote his commentaries on the Old Testament at that time in France.
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The Temple of Osiris at Abydos, Egypt contains the oldest known examples of the Flower of Life. Precisely how old these inscriptions are is unknown. Suggestions that they are over 6,000 years old and may date back to as long ago as 10,500 B.C. or earlier are entirely speculative and not based on any factual reality.
The most recent research shows that these symbols can be no earlier than 535 B.C. and most probably date to between the 2nd and 4th century AD, based upon photographic evidence of Greek text, still to be fully deciphered, seen alongside the Flower of Life circles and the position of the circles close to the top of columns, which are over 4 metres in height. This suggests the Osirion was half filled with sand prior to the circles being drawn and therefore likely to have been well after the end of the Ptolemaic dynasty.
Possibly five Flower of Life patterns can be seen on one of the granite columns and a further five on a column opposite of the Osirion. Some are very faint and hard to distinguish. They have not been carved into the granite being drawn in red ochre with careful precision.
Christianity has many symbolic connections to the Flower of Life. Most notably, the Seed of Life and components within the Seed of Life have strong Christian meaning to them. Such components are the Spherical Octahedron, Vesica Piscis, Tripod of Life, and Tree of Life (Kabbalah). Also the symbol of Metatron's Cube is delineated by a component of the Flower of Life and has appeared in Christian art.
In New Age thought, the Flower of Life has provided what is considered to be deep spiritual meaning and forms of enlightenment to those who have studied it as sacred geometry.There are groups of people all over the world who derive particular beliefs and forms of meditation based (at least in part) on the Flower of Life. FlowerofLife.org, for example, coordinates workshops at locations all over the world, in which they teach their New Age beliefs, methods, and interpretations of the Flower of Life.
Leonardo da Vinci studied the Flower of Life's form and its mathematical properties. He drew the Flower of Life itself, as well as various components such as the Seed of Life. He drew geometric figures representing shapes such as the platonic solids, a sphere, a torus, etc., and also used the golden ratio of phi in his artwork; all of which may be derived from the Flower of Life design.
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