The sands of time shift slowly through the castles of the mind.

We build sandcastles on the ground and in our minds.

They are our fantasies.

They can be a place you go to create that which you
most want, or to retreat from your current situation.

Children play on the beach, the flow of creation surrounding them, grains of sand that link us back through the sands of time to the Middle East and the Gods and Goddesses of Creation. They pick up some wet sand allowing it to fall through their fingers onto the ground. They watch as it forms a small hill, a pyramid or castle before them.

They continue to build, the nature of water and sand soon creating a sandcastle in which a child can envision endless and all possibilities. Alas, as with all things built in the illusions of the sands of time, it will either be washed away by the collective flow of energies that once created it, or dry up in the energies of light, the sun, disintegrating back into its primordial state, to be rebuilt into some new, yet always following the same blueprint of the physics of its creation.

The adult continues to build castles in the sand, knowing their creation will only last a few hours, if one is measuring time. The laws of physics, those that are applied and those that are theoretical, rest in the construction of all things, even sandcastles.

Give a bucket and a shovel to a child, then turn her loose on a beach full of sand. She or he will happily toil the day away building the sandcastle to end all sandcastles. The Physics of Sandcastles

Your twin flame has been waiting for me through the sands of time.

Soul or sole footprints leave in the light.

A sand castle is a type of sand sculpture which resembles a miniature building, often a castle. The two basic building ingredients, sand and water, are available in abundance on a sandy beach, so most sand play occurs there or in a sandpit. A variant on the sand castle is the drip castle, made by mixing extra water in with the sand, and dripping this wet sand from a fist held above. When the slurry of sand and water lands on existing sand structures, the water is rapidly wicked away, leaving the blob of sand in place. The effect is Gaudi-esque.

Sand castles are typically made by children, simply for the fun of making them. However, adults sometimes engage in contests making sand sculptures, in which the goal is to create structures which don't appear to be constructed just from sand; they can become large and complex. Other vulnerable media are ice and snow, leading to ice sculptures and snow sculptures.

Adults may find sand castle construction to be almost "Zen-like" in its ability to create total focus and relaxation. Whether an hour or a day, alone or with a group of friends or family, sand castle play is increasingly seen as adult leisure time activity for beach vacationers.

An example of extremely sophisticated sand art is the Buddhist mandala. Since 1989 there has been a World Championships of Sand Sculpture in Harrison Hot Springs (Canada, BC) which shows how mature this art has become. This event is also known as "Harrisand", solos, double and teams championships categories.

The sand must be fine, or the wetted grains will not stick together. Dry sand is loose, wet sand adherent, except when it is too wet. Sand used in the construction may dry or get wetter, changing the integrity of the structure; "landslides" are common.

The main tools for construction are a shovel, although using the hands alone is common, and a bucket or other container to bring water from the sea to the construction site. Also, pieces of wood, etc. can be used to reinforce structures.

Sand sculpting has been around for many decades and has become very popular more recently with hundreds of competitions held all over the world every year. It has become quite sophisticated and can be found in Guinness World Records, as well as in many commercial and promotional applications. Some advocates are purists, using no artificial materials, no formwork or coloring, no adhesive or heavy machinery. One such artist, G. Augustine Lynas, has been doing public sculptures for more than 50 years. However, in sand sculpting competitions, the rules often permit or even dictate that the finished sculpture be sprayed with a stabilizing coating in order to preserve the form for more than a day, allowing time for judging and appreciation by visitors. Coated sculptures may stand for months, until they are deliberately destroyed to make way for new competitions.

One of the main attractions of a sandy beach, especially for children, is playing with the sand, with more possibilities than a sandbox. One can make a mountain, a pit (encountering clay or the water table), canals, tunnels, bridges, a sculpture (representing a person, animal, etc. like a statue, or a scale model of a building), etc. Tunnels large enough to enter are extremely hazardous; children have been killed by collapses of underground chambers and such a collapse is guaranteed if wave wash reaches the structure. If a small stream enters the beach, one or more dams can be constructed to hold back lakes of stream water.

Almost as much fun as building beach dams is deliberately breaking them to cause a flood. If the beach is at an ocean, or at a sea connected to an ocean then there can be tides. These tides add attractive dynamics: on flood-tides the rising water enters previously dry ditches and pits, and one can try to keep areas dry by dikes, etc.; on ebb-tides one can try to keep water in a canal by deepening it and lengthening it, keeping it connected to the retracting sea. If one returns the next day much erosion is apparent - in fact only large excavations at all survive one excursion of the tide, and beach dynamics soon enough smooth out the surface, erasing everything. Sandcastles