Marduk [mär'dook] (Sumerian spelling in Akkadian AMAR.UTU "solar calf"; Biblical Merodach) was the name of a late generation god from ancient Mesopotamia and patron deity of the city of Babylon, who, when Babylon permanently became the political center of the Euphrates valley in the time of Hammurabi (18th century BC), started to slowly rise to the position of the head of the Babylonian pantheon, position he fully acquired by the second half of the second millennium BCE.
Marduk's original character is obscure, but whatever special traits Marduk may have had were overshadowed by the reflex of the political development through which the Euphrates valley passed and which led to imbuing him with traits belonging to gods who at an earlier period were recognized as the heads of the pantheon.
There are more particularly two gods - Ea and Enlil - whose powers and attributes pass over to Marduk. In the case of Ea the transfer proceeds pacifically and without involving the effacement of the older god. Marduk is viewed as the son of Ea. The father voluntarily recognizes the superiority of the son and hands over to him the control of humanity. This association of Marduk and Ea, while indicating primarily the passing of the supremacy once enjoyed by Eridu to Babylon as a religious and political centre, may also reflect an early dependence of Babylon upon Eridu, not necessarily of a political character but, in view of the spread of culture in the Euphrates valley from the south to the north, the recognition of Eridu as the older centre on the part of the younger one.
While the relationship between Ea and Marduk is thus marked by harmony and an amicable abdication on the part of the father in favour of his son, Marduk's absorption of the power and prerogatives of Enlil of Nippur was at the expense of the latter's prestige. After the days of Hammurabi, the cult of Marduk eclipses that of Enlil, and although during the four centuries of Kassite control in Babylonia (c. 1570 BC1157 BC), Nippur and the cult of Enlil enjoyed a period of renaissance, when the reaction ensued it marked the definite and permanent triumph of Marduk over Enlil until the end of the Babylonian empire. The only serious rival to Marduk after ca. 1000 BC is Anshar in Assyria. In the south Marduk reigns supreme. He is normally referred to as Bel "Lord".
When Babylon became the capital of Mesopotamia, the patron deity of Babylon was elevated to the level of supreme god. In order to explain how Marduk seized power, Enûma Elish was written, which tells the story of Marduk's birth, heroic deeds, and becoming the ruler of the gods. This can be viewed as a form of Mesopotamian apologetics.
In Enûma Elish, a civil war between the gods was growing to a climatic battle. The Anunnaki gods gathered together to find one god who could defeat the gods rising against them. Marduk, a very young god, answered the call, and was promised the position of head god.When he killed his enemy he "wrested from him the Tablets of Destiny, wrongfully his" and assumed his new position. Under his reign humans were created to bear the burdens of life so the gods could be at leisure.
People were named after Marduk. For example, the Biblical personality Mordechai (Book of Esther) used this Gentile name in replacement of his Hebrew name Bilshan.Babylonian texts talk of the creation of Eridu by the god Marduk as the first city, 'the holy city, the dwelling of their [the other gods] delight'.
Nabu, god of wisdom, is a son of Marduk.
Etemenanki, "The temple of the creation of heaven and earth", was the name of a ziggurat to Marduk in the city of Babylon of the 6th century BC Chaldean (Neo-Babylonian) dynasty. Originally seven stories in height, little remains of it now save ruins. Etemenanki was later popularly identified with the Tower of Babel.
In Sumerian mythology, Nammu (more properly Namma) is the Sumerian creation goddess. If the Babylonian creation myth Enûma Elish is based on a Sumerian myth, which seems likely, Nammu/Namma is the Sumerian goddess of the primeval sea that gave birth to heaven and earth and the first gods. She was probably the first personification of the constellation which the Babylonians later called Tiamat and the Greeks called Cetus and represented the Apsu, the fresh water ocean which the Sumerians believed lay beneath the earth, the source of life-giving water and fertility in a country with almost no rainfall.
As Nammu/Namma is the goddess of the fertile waters, An is the god of the sky. Nammu/Namma and her son Enki created mankind as assistants for the gods. Enki is the god of human culture who also presides over the Absu.
The name Nergal (or Nirgal, Nirgali) refers to a deity in Babylonia with the main seat of his cult at Cuthah (or Kutha) represented by the mound of Tell-Ibrahim. Nergal is mentioned in the Hebrew bible as the deity of the city of Cuth (Cuthah): "And the men of Babylon made Succoth-benoth, and the men of Cuth made Nergal" (2 Kings, 17:30).
Nergal actually seems to be in part a solar deity, sometimes identified with Shamash, but a representative of a certain phase only of the sun. Portrayed in hymns and myths as a god of war and pestilence, Nergal seems to represent the sun of noontime and of the summer solstice which brings destruction to mankind, high summer being the dead season in the Mesopotamian annual cycle.
Nergal was also the deity who presides over the nether-world, and who stands at the head of the special pantheon assigned to the government of the dead (supposed to be gathered in a large subterranean cave known as Aralu or Irkalla). In this capacity he has associated with him a goddess Allatu or Ereshkigal, though at one time Allatu may have functioned as the sole mistress of Aralu, ruling in her own person. In some texts the god Ninazu is the son of Nergal by Allatu/Ereshkigal.
Ordinarily Nergal pairs with his consort Laz. Standard iconography pictured Nergal as a lion, and boundary-stone monuments symbolise him with a mace surmounted by the head of a lion.
Nergal's fiery aspect appears in names or epithets such as Lugalgira, Sharrapu ("the burner," perhaps a mere epithet), Erra, Gibil (though this name more properly belongs to Nusku), and Sibitti. A certain confusion exists in cuneiform literature between Ninurta and Nergal. Nergal has epithets such as the "raging king," the "furious one," and the like. A play upon his name separated into three elements as Ne-uru-gal (lord of the great dwelling) expresses his position at the head of the nether-world pantheon.
In the astral-theological system Nergal becomes the planet Mars, while in ecclesiastical art the great lion-headed colossi serving as guardians to the temples and palaces seem to symbolise Nergal, just as the bull-headed colossi probably typify Ninurta.
Nergal's chief temple at Cuthah bore the name Meslam, from which the god receives the designation of Meslamtaeda or Meslamtaea, "the one that rises up from Meslam". The name Meslamtaeda/Meslamtaea indeed is found as early as the list of gods from Fara while the name Nergal only begins to appear in the Akkadian period.
The cult of Nergal does not appear to have spread as widely as that of Ninurta. Hymns and votive and other inscriptions of Babylonian and Assyrian rulers frequently invoke him, but we do not learn of many temples to him outside of Cuthah. Sennacherib speaks of one at Tarbisu to the north of Nineveh, but significantly, although Nebuchadnezzar II (606 BC586 BC), the great temple-builder of the neo-Babylonian monarchy, alludes to his operations at Meslam in Cuthah, he makes no mention of a sanctuary to Nergal in Babylon. Local associations with his original seat Kutha and the conception formed of him as a god of the dead acted in making him feared rather than actively worshipped.
Text adapted from the 1911 Encyclopædia Britannica.
Shamash or Sama, was the common Akkadian name of the sun-god in Babylonia and Assyria, corresponding to Sumerian Utu.
The name signifies perhaps "servitor," and would thus point to a secondary position occupied at one time by this deity. Both in early and in late inscriptions Sha-mash is designated as the "offspring of Nannar," i.e. of the moon-god, and since, in an enumeration of the pantheon, Sin generally takes precedence of Shamash, it is in relationship, presumably, to the moon-god that the sun-god appears as the dependent power.
Such a supposition would accord with the prominence acquired by the moon in the calendar and in astrological calculations, as well as with the fact that the moon-cult belongs to the nomadic and therefore earlier, stage of civilization, whereas the sun-god rises to full importance only after the agricultural stage has been reached.
The two chief centres of sun-worship in Babylonia were Sippar, represented by the mounds at Abu Habba, and Larsa, represented by the modern Senkerah. At both places the chief sanctuary bore the name E-barra (or E-babbara) "the shining house" a direct allusion to the brilliancy of the sun-god. Of the two temples, that at Sippara was the more famous, but temples to Shamash were erected in all large centres such as Babylon, Ur, Mari, Nippur and Nineveh.
The attribute most commonly associated with Shamash is justice. Just as the sun disperses darkness, so Shamash brings wrong and injustice to light. Hammurabi attributes to Shamash the inspiration that led him to gather the existing laws and legal procedures into a code, and in the design accompanying the code the king represents himself in an attitude of adoration before Shamash as the embodiment of the idea of justice.
Several centuries before Hammurabi, Ur-Engur of the Ur dynasty (c. 2600 BC) declared that he rendered decisions "according to the just laws of Shamash."
It was a logical consequence of this conception of the sun-god that he was regarded also as the one who released the sufferer from the grasp of the demons. The sick man, therefore, appeals to Shamash as the god who can be depended upon to help those who are suffering unjustly. This aspect of the sun-god is vividly brought out in the hymns addressed to him, which are, therefore, among the finest productions in the entire realm of Babylonian literature.
It is evident from the material at our disposal that the Shamash cults at Sippar and Larsa so overshadowed local sun-deities elsewhere as to lead to an absorption of the minor deities by the predominating one. In the systematized pantheon these minor sun-gods become attendants that do his service. Such are Bunene, spoken of as his chariot driver, whose consort is Atgi-makh, Kettu ("justice") and Mesharu ("right"), who are introduced as servitors of Shamash.
Other sun-deities, as Ninurta and Nergal, the patron deities of important centres, retained their independent existence as certain phases of the sun, Ninib becoming the sun-god of the morning and of the spring time, and Nergal the sun-god of the noon and of the summer solstice, while Shamash was viewed as the sun-god in general.
Together with Sin and Ishtar, Shamash forms a second triad by the side of Anu, Enlil and Ea. The three powers, Sin, Shamash and Ishtar, symbolized the three great forces of nature, the sun, the moon and the life-giving force of the earth.
At times, instead of Ishtar, we find Adad, the storm-god, associated with Sin and Shamash, and it may be that these two sets of triads represent the doctrines of two different schools of theological thought in Babylonia which were subsequently harmonized by the recognition of a group consisting of all four deities.
The consort of Shamash was known as A. She, however, is rarely mentioned in the inscriptions except in combination with Shamash.
Nanna is a god in Sumerian mythology, god of the moon, son of Enlil and Ninlil. His sacred city was Ur. The name Nanna is Sumerian for "illuminater".
He was named Sin in Babylonia and Assyrian and was also worshipped by them in Harran. Sin had a beard made of lapis lazuli and he rode on a winged bull.
His wife was Ningal ('Great Lady') who bore him Utu 'Sun' and Inana and in some texts Ishkur.
His symbols are the crescent moon, the bull, and a tripod (which may be a lamp-stand).The two chief seats of Sin's worship were Ur in the south, and Harran to the north. The cult of Sin spread to other centres, at an early period, and temples to the moon-god are found in all the large cities of Babylonia and Assyria.
He is commonly designated as En-zu = "lord of wisdom". This attribute clings to him through all periods. During the period (c. 2600-2400 BC) that Ur exercised a large measure of supremacy over the Euphrates valley, Sin was naturally regarded as the head of the pantheon. It is to this period that we must trace such designations of Sin as "father of the gods", "chief of the gods", "creator of all things", and the like. We are justified in supposing that the cult of the moon-god was brought into Babylonia by Semitic nomads from Arabia.
The moon-god is par excellence the god of nomadic peoples. The moon being their guide and protector at night when, during a great part of the year, they undertake their wanderings. This is just as the sun-god is the chief god of an agricultural people. The cult once introduced would tend to persevere, and the development of astrological science culminating in a calendar and in a system of interpretation of the movements and occurrences in the starry heavens would be an important factor in maintaining the position of Sin in the pantheon.
Sin's chief sanctuary at Ur was named E-gish-shir-gal = "house of the great light". His sanctuary at Harran was named E-khul-khul = "house of joys". On seal-cylinders he is represented as an old man with flowing beard with the crescent as his symbol. In the astral-theological system he is represented by the number 30, and the planet Venus and his daughter by the number 15. This 30 probably refers to the average number of days (correctly around 29.53) in a lunar month as measured between successive new moons.
The "wisdom" personified by the moon-god is likewise an expression of the science of astrology in which the observation of the moon's phases is so important a factor. The tendency to centralize the powers of the universe leads to the establishment of the doctrine of a triad consisting of Sin, Shamash and Ishtar, personifying the moon and the sun and the earth as the life-force.
Tiamat is a primeval monster/goddess in Babylonian and Sumerian mythology, and a central figure in the Enûma Elish creation epic. John C. L. Gibson, in the Ugaritic glossary of Canaanite Myths and Legends, notes that "tehom" appears in the Ugaritic texts, c. 14001200 BCE, simply meaning the "sea". Such a depersonalized Tiamat (the -at ending makes her feminine) is "The Deep" (Hebrew tehom), present at the beginning of the book of Genesis.
Apsu (or Abzu) fathered upon Tiamat the Elder gods Lahmu and Lahamu, the grandparents of Anu and Ea. Lahmu and Lahamu, in turn, were the parents of the heavens (Anshar) and the earth (Kishar). Tiamat was the "shining" goddess of salt water who roared and smote in the chaos of original creation. She and Apsu filled the cosmic abyss with the primeval waters. She is "Ummu-Hubur who formed all things".
The god Enki (later Ea), believing correctly that Apsu was planning to murder the younger gods, slew him. This angered Tiamat, whereupon she fashioned monsters to battle the gods. These were her own offspring, sea-serpents of terrifying size, storms and fish-men and scorpion-men.
Tiamat had the Tablets of Destiny, and in the primordial battle she gave them to Kingu, the god she had chosen for her lover. But Anu (replaced by Marduk, the son of Ea, in the late version that has survived) overcame Kingu and then her, armed with the winds and a net and an invincible spear.
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